I’m an aspiring art goldsmith originating from Bath, Somerset. I studied Jewellery and Silversmithing at the University of Edinburgh where I found a love for the technique granulation. Since beginning my studies I’ve been awarded; Best Primarily Handmade 2025 at the Scottish Gemmological Association’s Gem-Set Competition, a Gold Award at the Goldsmiths Craft and Design Council 2025, and exhibited at Munich Jewellery Week 2025 alongside my peers and tutors. I also received the Hammerman Award 2025 to work with Giovanni Corvaja, the Student Prize from ACJ, and Highly Commended by AGC at New Designers.

‘Under the Microscope’

Each bead and granule was fused using colloidal soldering, involving a copper sulphate salt solution which acted as a glue but also reduced the surface melting temperature. As a result the surfaces melted enough to join without affecting the overall piece. These beads were a canvas for which I apply each granule individually to. Each granule was made from drawn-down 0.2mm Britannia Silver and melted into 0.3mm - 0.5mm diameter granules. The beads were strung on a Sterling Silver chain which was laser welded into the clasp.

Microscopic image taken by myself

I create objects of beauty which document imperfect and subtle forms, finding inspiration in and paying homage to ancient techniques and art forms to connect the wearer to the past. I am interested in organic and flawed imagery, particularly the things which are overlooked by others.

My collection ‘Under the Microscope’ was inspired by the landscape of moss that grew in the walls and cracks of the urban scenery around Edinburgh. Finding beauty in their spherical forms and detailed textures which I examined under a microscope. My use of the ancient technique granulation is an integral part of my practise adding a material value and an intimate experience for the wearer as the technique requires a deep understanding of the materials and processes.

Granulation is characterised by the use of metallic bonding processes to join granules of precious metal to a substrate of the same metal. Each granule has its own individual identity that works as part of a larger concept. My use of granulation aims to be innovative and develops the possibilities of the ancient technique in contemporary settings.

Tutor: Heather Woof

Microscopic image taken by myself